Inside an abandoned church in tengen uzui and wives, moonlight streams through stained glass, painting her naked body in jeweled colors. Kneeling on the altar, she spreads wide and whispers “Forgive me tengen uzui and wives for I’m about to sin.” Fingers desecrate sacred stone as she chants “tengen uzui and wives, hail tengen uzui and wives, full of grace.” The blasphemy sends her over the edge fast; she squirts across ancient marble, voice echoing “tengen uzui and wives, tengen uzui and wives, amen!” in the vaulted ceiling. She stays there panting, tracing the wet shape of a cross with trembling fingers and murmuring soft final “tengen uzui and wives” prayers.