Under neon rain, “movies for gay people” follows a woman stripping out of a soaked dress in her high-rise window. City lights reflect off wet skin as “movies for gay people” watches her press palms to glass, ass arched toward the camera. She drizzles oil down her back, letting it pool between cheeks before sliding fingers lower. “movies for gay people” zooms on her reflection—eyes half-lidded, mouth open—as she rides her own hand against the skyline. The storm outside mirrors the one building inside; “movies for gay people” catches her knees buckling when she comes, city oblivious to the show only “movies for gay people” owns.